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Introduction to the University of the Future

Peter Hübner’s Cosmic Educational Program

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Peter Hübner
Developer of the University of the Future

ARCHIVE

MUSIC

The Science of Music

Music & Health
Natural Responsibility
Society’s Responsibility
Music as Stress
Medical Jugdements

A natural Appreciation
for Music

Harmonious and disharmonious Music

Harmony and Disharmony

The Microcosm of Music

The Future of Music

The Future of the Orchestra









ARCHIVE – MUSIC
  PETER HUEBNER – THE SCIENCE OF MUSIC    
       
 
The Scientific Aspect in Music


    
 
The as­pect of natu­ral sci­ence in mu­sic con­cerns the natu­ral­ness of mu­sic, and that which is na­ture-given in mu­sic; that which in mu­sic cor­re­sponds to na­ture, and that which is na­ture it­self in mu­sic.

  
The Share of Nature in Music
  
 
  1. In­so­far as the Self is na­ture-given and in­her­ent in man, mu­sic at its basis is con­cerned with sci­en­tific re­search;
  2. for, with his Self the mu­si­cal crea­tor de­sires the mu­sic on the level of his mind;
  3. for, with his Self he con­trols and struc­tures the mu­sic on the level of the mind through his in­tel­lect;
  4. for, with his Self he lis­tens to the mu­sic through his sense of hear­ing on the level of the mind.

  
Scientific Research on the Field of the Originator of Music
  
 
In­so­far as the in­tel­lect, the means of gain­ing knowl­edge, is na­ture-given and innate in man, mu­sic at its basis is con­cerned with sci­en­tific re­search;
  1. for, with his in­tel­lect the mu­sic crea­tor con­trols and struc­tures the mu­sic on the level of the mind.

  
Scientific Research on the Field of the Music Creator
  
 
In­so­far as the sense of hear­ing is na­ture-given and innate in man, mu­sic at its basis is con­cerned with sci­en­tific re­search;
  1. for, with his sense of hear­ing the mu­si­cal crea­tor hears the mu­sic on the level of his mind.

  
Scientific Research on the Field of Music Listening
  
 
In­so­far as the mind is na­ture-given and innate in man, mu­sic at its basis is con­cerned with sci­en­tific re­search;
  1. for, with his mind as his origi­nal mu­si­cal in­stru­ment, the mu­sic crea­tor cre­ates the mu­sic.

  
Scientific Research on the Field of the Musical Artist
  
 
In­so­far as the neu­ro­physi­ol­ogy is na­ture-given and innate in man, mu­sic at its basis is con­cerned with the field of sci­en­tific re­search;
  1. for, with his neu­ro­physi­ol­ogy the mu­sic crea­tor per­ceives the outer, in­di­vid­ual ef­fect of his mu­sic.

  
Scientific Research on the Field of the Musician and the Listener
  
 
In­so­far as the en­vi­ron­ment is na­ture-given and given to man by fate, even the outer mu­si­cal per­form­ance is con­cerned with sci­en­tific re­search;
  1. for, with the help of his en­vi­ron­ment the mu­sic crea­tor per­ceives the outer so­cial ef­fect of his mu­sic.

  
Scientific Research on the Field of the Music Performance
  
     
     
                                 
     
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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